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+#X text 96 196 magnitude of FT;
+#X text 18 249 align partials to middle of window;
+#X text 39 232 alternate every other sign to;
+#X text 383 122 control computations to do every frame;
+#X text 414 180 set sample rate of the oscillator to;
+#X text 416 195 Nyquist (here we're operating at twice;
+#X text 418 211 the global "samplerate~" because of;
+#X text 417 228 the overlap-2 blocking.) Also set phase;
+#X text 417 244 to zero at beginning of frame.;
+#X text 424 287 When analysis starts \, set a delay to;
+#X text 425 304 one frame minus a sample (i.e. \, just;
+#X text 424 321 one 64-sample block before the next;
+#X text 423 338 frame) which is synchronized with the;
+#X text 423 352 first frame emerging from outlet~ at;
+#X text 499 368 left. In the parent window;
+#X text 497 385 this is used to start;
+#X text 497 402 recording synchronously.;
+#X text 14 384 output phase-aligned frames;
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+#X text 214 -1 PHASE BASHING;
+#X text 455 515 updated for Pd version 0.39;
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+#X text 47 18 This patch takes an incoming sound \, does an overlap-2
+FFT analysis of it \, and bashes the phases of the spectra so that
+when regenerated the components will all have zero phase at the middle
+of each window. You can use the windows as waveforms and cross-fade
+them at will without getting phase modulation. This might be useful
+for making synthetic instruments that mimic the spectral variation
+of recorded sounds.;
+#X text 398 305 (hundredths of sec);
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+#X text 458 262 ------ playback -------;
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+#X text 60 248 grain size;
+#X text 62 264 in samples;
+#X text 97 383 grain size;
+#X text 311 389 middle;
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+#X text 165 248 fractional;
+#X text 164 265 part of loc;
+#X text 295 224 integer part of loc;
+#X text 328 247 middle of block;
+#X text 310 290 cvt to samples;
+#X text 522 265 run two copies 180 degrees out of phase;
+#X text 29 589 window shaped;
+#X text 27 604 by raised cos;
+#X text 265 522 weighted sum of;
+#X text 265 538 2 windows;
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+#X text 607 104 analysis overlap was 2 so our;
+#X text 606 120 block size is (window size)/2;
+#X text 12 -1 OVERLAPPED \, WINDOWED SAMPLE PLAYBACK;
+#X text 357 0 - with controls for pitch \, location \, and spectral
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+#X text 585 290 spectral shift;
+#X text 583 306 (hundredths of;
+#X text 646 323 octave);
+#X text 126 398 live;
+#X text 45 141 You can save the analyses and needn't be running the
+FFT patch to do the resynthesis. You can read a sample \, select window
+size \, and press "sample" to analyze it \, or else analyze a "live"
+input. You'll hear the phase-bashed sample as the analysis runs. You
+can regenerate the sound with specified pitch \, sample location \,
+and spectral shift \, using the "playback" controls.;
+#X text 83 278 analysis;
+#X text 80 264 (redo;
+#X text 83 294 after;
+#X text 84 309 changing;
+#X text 84 325 window;
+#X text 85 339 size);
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