1 files changed, 0 insertions, 117 deletions
diff --git a/pd/doc/3.audio.examples/J04.more.adsr.pd b/pd/doc/3.audio.examples/J04.more.adsr.pd
deleted file mode 100644
index 5b38917a..00000000
--- a/pd/doc/3.audio.examples/J04.more.adsr.pd
+++ /dev/null
@@ -1,117 +0,0 @@
-#N canvas 105 38 705 609 12;
-#X obj 39 140 r trigger;
-#X floatatom 70 376 0 0 0;
-#N canvas 159 26 495 266 output 0;
-#X obj 351 166 t b;
-#X obj 351 114 f;
-#X obj 351 62 inlet;
-#X text 358 30 mute;
-#X obj 351 192 f;
-#X msg 442 185 0;
-#X msg 351 88 bang;
-#X obj 351 140 moses 1;
-#X obj 442 159 t b f;
-#X obj 413 122 moses 1;
-#X obj 86 154 dbtorms;
-#X obj 413 96 r master-lvl;
-#X obj 86 44 r master-lvl;
-#X obj 351 218 s master-lvl;
-#X obj 23 188 inlet~;
-#X obj 207 42 inlet;
-#X text 207 19 level;
-#X obj 207 104 s master-lvl;
-#X msg 100 67 set \$1;
-#X obj 100 93 outlet;
-#X msg 222 66 \; pd dsp 1;
-#X obj 86 202 line~;
-#X obj 23 221 *~;
-#X obj 23 250 dac~;
-#X obj 86 178 pack 0 50;
-#X text 21 165 audio;
-#X text 97 114 show level;
-#X connect 0 0 4 0;
-#X connect 1 0 7 0;
-#X connect 2 0 6 0;
-#X connect 4 0 13 0;
-#X connect 5 0 13 0;
-#X connect 6 0 1 0;
-#X connect 7 0 0 0;
-#X connect 7 1 8 0;
-#X connect 8 0 5 0;
-#X connect 9 1 4 1;
-#X connect 10 0 24 0;
-#X connect 11 0 1 1;
-#X connect 11 0 9 0;
-#X connect 12 0 10 0;
-#X connect 12 0 18 0;
-#X connect 14 0 22 0;
-#X connect 15 0 17 0;
-#X connect 15 0 20 0;
-#X connect 18 0 19 0;
-#X connect 21 0 22 1;
-#X connect 22 0 23 0;
-#X connect 22 0 23 1;
-#X connect 24 0 21 0;
-#X restore 39 406 pd output;
-#X msg 107 376 MUTE;
-#X text 150 375 <-- output amplitude;
-#X text 518 189 <-- attack;
-#X text 485 281 <-- release;
-#X obj 39 338 *~;
-#X obj 39 282 *~;
-#X obj 39 310 *~;
-#X obj 80 340 osc~ 440;
-#X text 88 9 ADSR envelope;
-#X text 35 29 You can use the quartic trick to simplify patches using
-ADSR envelopes. For amplitude control it's especially simple. It's
-usually good enough in practice to control amplitudes by ranging an
-ADSR from 0 to 1 (divide by 100 so your input range can be a comfortable
-0-100) \, then take fourth power:;
-#X obj 77 227 / 100;
-#X floatatom 77 197 3 0 100;
-#X msg 383 269 \; trigger 0;
-#X obj 39 166 unpack;
-#X floatatom 39 197 1 0 100;
-#X msg 383 175 \; trigger 1 100;
-#X text 503 229 <-- softer attack;
-#X msg 382 222 \; trigger 1 60;
-#X text 441 583 updated for Pd version 0.34;
-#X text 14 437 Note that the units aren't dB \; for most of the range
-0-100 it's about 0.4 dB per unit. If you want something closer to dB
-\, you can set the scale as 0-40 instead of 0-100 (just change "/ 100"
-to "/ 40") and then you'll get the response shown in the first patch
-in this section.;
-#X obj 596 519 *~;
-#X obj 596 547 *~;
-#X floatatom 605 390 3 0 100;
-#X obj 605 416 mtof;
-#X obj 605 441 sqrt;
-#X obj 605 466 sqrt;
-#X text 174 526 To use ADSR to control pitch \, you should;
-#X text 173 545 usually just use real pitch units like this-->;
-#X obj 596 490 adsr 0;
-#X obj 39 253 adsr 0 100 200 70 300;
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-#X connect 32 0 8 1;