1 files changed, 0 insertions, 148 deletions
diff --git a/pd/doc/3.audio.examples/K03.envelope.mod.pd b/pd/doc/3.audio.examples/K03.envelope.mod.pd
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--- a/pd/doc/3.audio.examples/K03.envelope.mod.pd
+++ /dev/null
@@ -1,148 +0,0 @@
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-#X graph graph1 0 -1.02 44100 1.02 764 446 964 316;
-#X array cos-output 44100 float 0;
-#X pop;
-#X graph graph1 0 -1.02 44103 1.02 761 148 961 18;
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-#X pop;
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-#X msg 96 65 set \$1;
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-#X msg 214 64 \; pd dsp 1;
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-#X text 20 158 audio;
-#X text 93 110 show level;
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-#X text 176 490 <-- output amplitude;
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-#X text 85 49 <-- frequency (Hz.);
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-#X msg 603 518 bang;
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-#X text 40 9 ENVELOPING YOUR LOOPING SAMPLER;
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-#X text 157 98 subtracting 0.5 and wrapping produces a sawtooth wave
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-#X text 153 150 as before we subtract 1/2 again to center the sawtooth
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-#X text 153 188 <-- sharpness (at least 1);
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-#X text 776 150 -- 44103 samples ---;
-#X text 767 447 ----- 1 second ------;
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-#X text 24 560 Here we apply an amplitude envelope to protect against
-discontinuities at the loop point. The envelope is based on the pulse
-width modulation example \, except that the widening is applied to
-the "1" part of the pulse \, not the "0" part.;
-#X text 23 647 To see the envelope \, put the phasor on 2 Hz \, select
-"sharpness" values between 1 and 3 \, and look at "cos-input" and "cos-output."
-You should both see and hear the effect of the "sharpness" parameter.
-;
-#X text 734 688 updated for Pd version 0.34;
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