1 files changed, 122 insertions, 0 deletions
diff --git a/pd/doc/3.audio.examples/sampvoice2.pd b/pd/doc/3.audio.examples/sampvoice2.pd
new file mode 100644
index 00000000..4350ea48
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+++ b/pd/doc/3.audio.examples/sampvoice2.pd
@@ -0,0 +1,122 @@
+#N canvas 231 67 770 791 12;
+#X obj 284 616 *~;
+#X obj 183 744 outlet~;
+#X obj 110 536 makefilename sample%d;
+#X msg 110 559 set \$1;
+#X obj 110 582 tabread4~ sample1;
+#X obj 367 559 dbtorms;
+#X obj 367 536 unpack;
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+#X msg 259 477 \$5;
+#X msg 411 477 0 \$1;
+#X obj 230 119 inlet;
+#X obj 183 693 inlet~;
+#X obj 183 719 +~;
+#X text 498 181 pitch in halftones;
+#X text 499 158 amplitude (dB);
+#X text 499 206 sample number;
+#X text 499 230 start location (msec);
+#X text 499 254 rise time (msec);
+#X text 499 278 decay time (msec);
+#X text 498 133 ARGUMENTS FOR NOTE ON:;
+#X text 460 317 (Zero amplitude means note off \;;
+#X text 481 338 other parameters are ignored.);
+#X obj 230 144 route 0;
+#X obj 288 175 unpack 0 0 0 0 0 0;
+#X text 35 5 This is an abstraction used by the polyphonic sampler
+\, version 2 \, which takes separate note-on and note-off messages.
+Unlike "sampvoice" (the first version) \, there is no "duration" field
+\, and the amplitude and pitch fields are reversed to make it easy
+to separate note-on from note-off messages (which have amplitude zero.)
+;
+#X text 299 153 note-on;
+#X text 155 153 note-off;
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