1 files changed, 85 insertions, 93 deletions

diff --git a/pd/doc/7.stuff/data-structures/voice.pd b/pd/doc/7.stuff/data-structures/voice.pd
index 2d124db7..20f2856d 100644
--- a/pd/doc/7.stuff/data-structures/voice.pd
+++ b/pd/doc/7.stuff/data-structures/voice.pd
@@ -2,7 +2,6 @@
 #X obj 180 96 inlet;
 #X obj 169 288 pack;
 #X obj 169 395 line~;
-#X obj 169 238 sqrt;
 #X obj 169 262 sqrt;
 #X obj 169 480 *~;
 #X obj 169 419 *~;
@@ -10,118 +9,111 @@
 #X obj 92 478 inlet~;
 #X obj 92 526 outlet~;
 #X obj 92 502 +~;
-#X obj 436 411 line~;
-#X obj 436 435 *~;
-#X obj 436 459 *~;
-#X obj 436 283 mtof;
-#X obj 394 187 +;
-#X obj 436 307 sqrt;
-#X obj 436 331 sqrt;
-#X obj 436 387 pack;
-#X obj 169 214 / 6;
+#X obj 434 411 line~;
+#X obj 434 435 *~;
+#X obj 434 459 *~;
+#X obj 434 283 mtof;
+#X obj 405 187 +;
+#X obj 434 307 sqrt;
+#X obj 434 331 sqrt;
+#X obj 434 387 pack;
 #X obj 189 343 r reset;
 #X msg 189 367 0 20;
 #X obj 180 120 data-start template-toplevel;
 #X obj 6 150 data-array template-toplevel amp template-amp;
 #X obj 433 148 data-array template-toplevel pitch template-pitch;
 #X obj 308 437 noise~;
-#X obj 477 259 +;
-#X obj 477 282 mtof;
-#X obj 477 306 sqrt;
-#X obj 477 330 sqrt;
-#X obj 477 411 line~;
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-#X obj 394 459 *~;
-#X obj 394 387 pack;
-#X obj 394 284 mtof;
-#X obj 394 308 sqrt;
-#X obj 394 332 sqrt;
-#X obj 394 262 -;
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+#X obj 485 282 mtof;
+#X obj 485 306 sqrt;
+#X obj 485 330 sqrt;
+#X obj 485 411 line~;
+#X obj 485 435 *~;
+#X obj 485 459 *~;
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+#X obj 384 459 *~;
+#X obj 384 387 pack;
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+#X obj 384 308 sqrt;
+#X obj 384 332 sqrt;
+#X obj 384 262 -;
 #X obj 240 520 vcf~ 10;
 #X obj 315 520 vcf~ 10;
 #X obj 390 516 vcf~ 10;
 #X text 13 7 This is an abstraction used in the sequencer example.
 Here we take care of the audio synthesis \, according to timed controls
 from the the "data-start" and "data-array" subpatches.;
-#X text 505 458 calculate time-varying center frequencies;
+#X text 521 459 calculate time-varying center frequencies;
 #X text 470 512 ... for three VCFs acting on a noise source.;
-#X text 92 394 Amplitude;
-#X text 93 410 envelope;
-#X text 117 508 summing bus;
+#X text 85 394 Amplitude;
+#X text 86 410 envelope;
+#X text 94 549 summing bus;
 #X text 346 62 Pitch is in eighth-tones (because 4 pixels per half
 tone looks reasonable on the screen.) Hence the * 0.25 objects below.
 ;
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-#X obj 493 233 * 0.25;
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