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#N canvas 35 42 813 458 12;
#X obj 158 118 mtof~;
#X obj 158 174 snapshot~;
#X obj 698 132 metro 100;
#X floatatom 158 205 0 0 0;
#X obj 49 174 snapshot~;
#X floatatom 49 55 0 0 0;
#X floatatom 49 205 0 0 0;
#X obj 49 118 ftom~;
#X obj 264 174 snapshot~;
#X floatatom 264 205 0 0 0;
#X obj 264 118 dbtorms~;
#X obj 697 58 loadbang;
#X msg 709 88 \; pd dsp 1;
#X obj 49 86 sig~;
#X floatatom 158 55 0 0 0;
#X obj 158 86 sig~;
#X floatatom 264 54 0 0 0;
#X obj 264 86 sig~;
#X obj 492 172 snapshot~;
#X floatatom 492 203 0 0 0;
#X obj 383 172 snapshot~;
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#X obj 607 172 snapshot~;
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#X obj 383 84 sig~;
#X floatatom 492 53 0 0 0;
#X obj 492 84 sig~;
#X floatatom 607 53 0 0 0;
#X obj 607 84 sig~;
#X obj 383 115 rmstodb~;
#X obj 492 115 dbtopow~;
#X obj 607 115 powtodb~;
#X obj 17 10 mtof~;
#X text 70 11 (etc) - conversions for audio signals;
#X text 60 400 see also:;
#X obj 145 400 mtof;
#X text 192 400 (etc.);
#X text 547 416 updated for Pd version 0.33;
#X text 43 241 These objects convert MIDI pitch to frequency and back
\, and dB to and from RMS and power. THey take audio signals as input
and output (and work sample by sample.) Since they call library math
functions \, they may be much more expensive than other workaday tilde
objects such as *~ and osc~ \, depending on your hardware and math
library.;
#X text 41 343 Boundary conditions are handled "reasonably". 100 db
is assigned an RMS of 1 \, and dbtorms~ and dbtopow~ output true zero
for 0 dB and less.;
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